In this solo exhibition, Luo Jr-Shin constructed an immersive space installation in the museum. With low-frequency sounds, fluorescent lights, discarded objects, and constantly flowing water tanks, the artist has embedded a "broken nightclub" in the gallery space. Here, the creator projected his subjectivity to establish a fictional, non-existent nightclub where people and matters, information and cognition meet. Through the replacement and inconsistent arrangement of objects, the artist blurred the meaning behind the objects, making the composition of the space a little ambivalent. Through the movement of the body, the shift of the line of sight, and the moment when the fluidity of the viewing process intersects with the entire exhibition space, the viewer can transform the internal muttering of the work into the viewer's own perception and significance. As the artist stated in the introduction of the exhibition-"Messages on the wall of a toilet in a nightclub in Taipei", the disordered space has become a huge medium filled with messages. The process of the viewer's interpretation of the work when viewing is at the core of this creativity.

Forward | Jun-Jieh Wang (Director of the Taipei Fine Arts Museum)

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「本次展覽羅智信在美術館建構了一個沉浸式的空間裝置。低頻聲響、螢光燈、棄置的物件、不斷流動的水槽,創作者在美術館內隱藏了一間「失能的夜店」。在此,創作者主觀地建立了一個人與物質、訊息與認知的交會場所,一個虛構、不存在的夜店。藝術家藉由物件的置換、不協調的配置,抽寫物件背後的意涵,讓空間的構成多了一分曖昧不明。而觀者藉由身體的移動、視線的移轉,觀看過程中的流動性與整個展覽空間交會的當下,得以將作品內構的喃喃自語轉譯成觀者自身的感知與意義。正如藝術家在展覽引言中所述-「台北某間夜店廁所牆上的留言」,失序的異空間實則成為一個巨大且佈滿訊息的介質。而其間觀者解讀作品的過程正為其創作再再指向的標的核心。」

序|王俊傑(臺北市立美術館 館長)

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