Statement:


The use of ready-made objects in creating works has been essential to my creative process. In the manipulation of these objects, I inevitably become aware of the underlying meaning and context rooted in daily life, and how they would deeply influence the ways audience perceive and respond to my work. They correspond to the personal yet universal memories, habits and lifestyle, so that each individual viewer is capable of interpreting and experiencing the work in their own way. Therefore, the "ready-made" are no longer merely daily objects; the concept of its existence encapsulates the appearance, patterns, and trails of human life at large.


創作自述:

現成物與其針對「現成」概念的延伸研究一直是我創作中的核心命題。作為創作材料的同時,不由自主地意識到其背後來自日常生活的意義與內容,並且深深地影響觀者如何去觀看、回應我的作品。它們反映了既個人又具普遍性的記憶、習慣與生活方式,並同時成為我創作中的內涵。

當觀者面對作品時,個人經驗很快速的對於那些物件進行投射,但同時又形塑了某種共通性,對應至一個更大的集體狀態。於是現成物的定義不只是日常生活中的物件而已,現成的概念在此被擴及,用以形容人們生活的樣態、模式與軌跡。


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